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Product details

File Size: 44433 KB

Print Length: 312 pages

Simultaneous Device Usage: Up to 5 simultaneous devices, per publisher limits

Publisher: New Riders; 1 edition (February 14, 2012)

Publication Date: February 14, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00795G1LG

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Amazon Best Sellers Rank:

#153,029 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I find the book to have a lot of basic fundamentals on photography but it is geared toward the beginner. There are exercises at the end of each chapter to practice which can be helpful. The thing I don't like about the book is how long it is. I feel like it could have been easily condensed down to about a hundred pages and the points would have been as equally illustrated. I get the feel that the author likes to take simple concepts and make them appear to be very elaborate and special. I sometimes feel like he thinks he is writing to elementary school kids. Overall, a decent read but there are better books out there on photography if you already know the fundamentals.

I almost didn't create a review for this product because I wanted to keep it as my own little best kept secret but it's just too good not to share. (If nothing else let this be my feeble way of thanking the author for creating it!)My husband and I have this longstanding theory that no artist is every really going to share all of his/her secrets with you in a book, a workshop or otherwise, and based on every book and workshop I've ever taken I've found this theory to be alive and well. They give you just enough information to *think* you're going to learn a ton but you're left feeling like there was something missing--SOMETHING they just didn't share that would make all the puzzle pieces fit.Then in comes Roberto Valenzuela and Picture Perfect Practice. He covers so many aspects of good photography it will literally take me years to master all that he has provided for devouring. That's not to say the concepts he shares are difficult per se, it's simply that there are so many things he covers, that to practice them to a point of mastery is no easy task. The book is organized well, by topic, and he provides key tips for practicing. He's really opened my eyes to the notion that photographers see the world differently. Not just during a session but every day. Every object is transformed by the photographers eye and this is percicely what he helps you to develop: your eye.I can't recommend this book highly enough. I have paid thousands of dollars for workshops that have contained a third of what I've found in this book for under $30. With this workbook and dedicated practice to the craft, I defy you not to become the photographer you are destined to be. Keep on clickin!

As a serious photographer, I am not intimidated by books loaded with technical jargon related to camera settings and concepts such as depth of field or lens perspective. Not much of that in this book which is a welcome change. This book focuses on the author's considerable artistic skills - primarily in the areas of location (18 subdivisions), posing (18 subdivisions) and execution (4 subdivisions) with significant numbers of photos showing the good, bad and the ugly. Certainly blows the myth that a good expensive camera makes one a great photographer (usually they end up with "high definition snapshots") this book stresses the need for attention to detail and practice and shows one how to develop those skills. Probably a bit more advanced than the average person would care to tackle but for those willing to make the effort this is an excellent guide.

I cannot say enough good things about this book. It teaches you plenty of stuff; but, more importantly, it teaches you methods for engaging in photography and for practicing photography so that you can keep on improving and learning on your own. As such, it's invaluable.It starts off a bit slow. I have to admit, it took me a couple of months to get through the first part. It begins with a discussion of the elements of photography, such as geometry, balance, symmetry, patterns, etc. I've read a lot about those before, so it was a bit tough to get through. Even so, it was laying the foundation for what was to come. But, if you haven't read a lot about such topics, then you may not have the problem I had.Part 2 starts getting better. It discusses posing in great detail, and does so extremely well. It covers both broad concepts (such as natural posing) and specific details (such as what to do with hands). And it covers a slew of posing archetypes that can be adapted to different situations.Parts 3 and 4 are a bit short, but they use everything you've learned so far to teach you how to improve generally. Part 3 is about execution, or how to put it all together in the field. And Part 4 is about deliberate practice: he recommends some personal R&D on situations you're likely to encounter so that you'll be able to adapt when you do. What makes this part so great is that he not only gives you a method, but also offers some concrete examples of how practice paid off in a specific way. These two parts are what make the book so incredible for me. They're short, but they don't stand alone: they build on everything you've learned in the first two parts.The author is clearly a master photographer. But he's also an excellent teacher. His book is very accessible, but also incredibly deep. I'm ashamed that it took me so long to realize how great the book really is!Although the book is technically about wedding photography, and plenty of the "detailed stuff" is suited to that type of photography, the broader concepts and methods he teaches can be of great benefit to any type of photographer.I would say that I don't think this book is for beginners. It assumes you have basic technical skills, and doesn't teach them. It's about creativity and execution. You don't have to be a professional to get a lot out of the book -- I'm not! -- but you should be fairly advanced. If you're not yet there, put this book on your wish list for the future and don't forget to come back for it.

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